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One
of the questions frequently asked by male fans of Irish is whether
there are any nude photos of her. Despite her abundant
sex appeal and the raunchy nature of some of her poses (left)
Irish was a good Catholic girl from the Midwest. She espoused
old-fashioned values and was not a wild party girl, but a levelheaded
tea-totaller. She lived as if she was determined to follow
her older brother's advice not to do anything to embarrass the
family (see Page 2: Discovery).
Irish received many offers to pose nude over the years. She
declined offers from Hustler and Playboy, although
Playboy said that they didn't want her nude (Black
and Feret). The magazine told Irish they wanted to
photograph the undersides of her breasts, but she felt that
would still be too sexy ("I wanted to protect Sheena, but
I was also protecting myself. My body is for those I choose
to show it to. It would have embarrassed my family - especially
my sons - if their friends saw pictures of me naked.")
(Femme Fatales)
Before Irish began working for the Globe Syndicate she met Alberto
Vargas, the celebrated pin-up
artist, at a Miss California beauty contest where Vargas was
one of the judges. She didn't win the contest but Vargas
asked her to pose for him. She was short of cash at the
time and had always admired his work, so agreed to do it. Irish
has openly acknowledged Vargas as an important influence on
her own style of art (see Art page) and
has frequently told stories of copying his art when she was
a teenager (see the Artistic Development section on the
Childhood page). When Vargas
asked Irish to pose nude for him she agreed, even though she
had never done that for anybody else. Irish has described
Vargas as "a very special gentleman of the old-world school".
("He treated you like you were a beautiful rose,
not like you were a nude body.") She was very flattered
to be chosen to grace one of his calendars and because Irish
was born on Christmas day Vargas chose to use her as the December
girl. His image of her was featured in both True
and Cavalier magazines and was also used on the 4 of
diamonds in one of Varga's many editions of playing cards ("One
such pose that was used repeatedly showed me on my knees, looking
back over my shoulder with my body slightly turned away, holding
a telephone." - see below) (Glamour Girls & Femme
Fatales). |
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For many years
it was not widely known that Vargas and his wife, Anna, who was also
present during the session, took about eight 4 x 6 inch black-and-white
photos of Irish naked, so that Vargas could use them to paint from.
They promised her that they would be the only ones to see them.
Those photos of an 18-year-old Irish naked ended up in the possession
of Erwin Flacks, a Las Vegas collector who had the good fortune
to purchase Vargas' personal photos of his models, which included
the nude photos of Irish. Also included were the negatives.
Flacks showed them to Irish and one of her closest personal
friends when they were running a booth at the first Glamorcon Show
in Los Angeles in September 1993. Irish, who had never seen
the developed photos before, became a little annoyed and commented,
"I knew these would show up one day." She eventually
lightened up a bit and during one of their conversations confided
in him, "You are looking at an eighteen year old virgin."
She made him promise not to sell the photos while she was still
alive. Irish had been battling recurrent brain tumours for many
years at this stage. For that promise Irish agreed to sign several
sets of photos that Flacks had prepared. Irish's friend said
that the photos were stunningly beautiful. Frank Bonilla,
my collaborator on this site and the world's most avid collector of
Irish McCalla memorabilia, was unsuccessful in obtaining a set
of the photos from Erwin Flacks, so in June 2007 he wrote to
Hugh Hefner, a keen fan of Irish, and suggested that Playboy do a
biographical story about Irish. He also alerted Hefner to the
existence of the nude photos. Playboy managed to acquire those
rare photos and used them for a feature story on Irish in the February 2008
issue of Playboy. The photos are indeed very beautiful but you
won't find them on this family-friendly site. If you would like
to see them search The Net for sites that specialise in images of
nude celebrities. A Vargas sketch of Irish's nude torso also
appears in the book, Alberto
Vargas: Works from the Max Vargas Collection.(2006 Bullfinch). Max Vargas
was Alberto Vargas' nephew. (Bonilla).
Some time in the early-1950s, a bronze bust was made of Irish topless
during what archivists consider Irish's most celebrated project. The
Globe Syndicate organised a spread called, "Irish By Four Different
Artists". Celebrated glamour/pinup photographer Bruno Bernard
shot photos in his distinctive style (top left below), Alberto Vargas
painted her on canvas (top right below), an ice sculptor named Tom
Sherbloom constructed an ice effigy of her (bottom left below) and
Yucca Salamunich sculpted a bronze bust (bottom right below).
Munich gave the bust to Irish and she said that her youngest
son, Sean, used to pat it and say "Nice mommy. Nice mommy."
She was embarrassed that someone might think that strange so
she had Munich cut the head off it, which she kept, and she gave the
breasts to pinup photographer Tom Kelly. Kelly was responsible
for the famous "Golden Dreams" calendar photos of Marilyn
Monroe nude. Kelly was also the person responsible for suggesting
that she audition for the role of Sheena (see Page
2: The Recommendation in the Audition
section). Kelly was always pestering Irish to pose nude for
him ("Why won't you model nude for me? You modeled nude
for for Vargas!") so she gave him the breasts from Munich's bronze
bust (Femme Fatales). Irish also said that when she was
about 40 she posed topless for Fritz Willis, an artist she was studying
with at the time (Prevue).
The four photos at the very bottom of the page are good examples of
Irish's raunchier work from her Fifties glamour photography work. |
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IRISH
McCALLA
MAGAZINE GALLERIES
To see what all of the fuss was about and the reason for her popularity,
click on the image at right to explore an extensive collection of
glamour and television magazines that Irish McCalla appeared in between
1950 and 2008. |
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SOURCES
TV's Original Sheena - Irish McCalla
by Bill Black & Bill Feret, Paragon
Femme Fatales magazine,
Jan 99
Glamour Girls: Then and Now magazine,
Premiere issue Mar-Apr 94
Personal correspondence between Frank
Bonilla and Erwin Flacks
Prevue Pinup Special 2 magazine 1994
IMAGES
The photo of Irish reclining with
a bare back and the photo of Irish getting out of the shower is from Scene
magazine, Jul 58
The colour photo of Irish wearing a yellow towel is from my personal
collection
The photo of Irish with Bruno Bernard, and the photo of Irish
with Yucca Salamunich are all from unidentified magazine clippings
in my personal collection
The photo of Alberto Vargas was pilfered from eBay auction
item
The photo of Irish being massaaged, the "4 of diamonds"
painting of Irish by Vargas and the two photos of Irish wearing the transparent
blue negligée were kindly donated by Frank
Bonilla
The photo of Irish with Alberto Vargas from the front cover
of Eve magazine, Nov 50, is from my personal collection
The photo of Irish with Tom Sherbloom from the front cover of Night
and Day magazine, Aug 51, is from my personal collection
The photo of Irish brushing her teeth with her pyjama top open
from Fabulous Females magazine, No. 1, 1955, is from my personal
collection
LYNX
Read a biography of Alberta Vargas
at Wikipedia,
the free encyclopedia
See many examples of Alberto Vargas gorgeous pinup art at
The
eGallery's Alberto Vargas pages
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SHEENA
© is the property of Sony Pictures Corporation
This independent, fan-based analysis of the Sheena material is copyright
© 2005-2009 Paul Wickham
This page was updated May 2009
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