| IRISH
McCALLA ON TV |
Part 2 - Filming In Mexico
Page 3 - The Pilot Episodes |
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The Nassour's plan was to
film some pilot episodes of their new project so that these
could be used to pitch the idea to interested television executives.
Irish has said that some time in 1954, almost a year after
the audition for the role, and soon after the birth of her second
son, Sean, three pilots were filmed in California. The
first episode filmed, which we now know as The
Renegades (click on link to see more details for that
episode), was probably filmed at The Arboretum in Arcadia (far
north LA). According to Irish, the director's instructions
consisted of, "All right, now you run to this; now, watch
out for that plant right there. Don't step on that!
And then you come and you jump; when you jump over, you have
to jump a little to the left for the camera. And watch
out; land on the left foot because the right foot might touch
this plant over here. And you have to go this way
because we don't want the tags on the plants to show."
(The TV Collector). (see photo below right of Irish amongst
the foliage of The Renegades)
Irish has also said that her first experiences with filming
were very stressful because she didn't know what she was supposed
to do and had difficulty following the director's instructions
("I didn't know half of the terms they used on the set,
like what a pan shot was, or how close a close up was, for example.)
The director she was working with, Arthur Pierson, appears
to have had little tolerance for the inexperienced starlet he
was forced to work with and treated Irish roughly. She
would go home at night nervous, exhausted and would cry herself
to sleep. She did, however, find the crew on the pilot
to be very supportive. They would explain to her why the
director was yelling at her, and when they were rehearsing one
of the guys would take her aside and explain things to her to
help her avoid being yelled at. She said that the crew
were like the older guys she knew while growing up. They
treated her well and later confided in her that they liked her
because she hadn't arrived on the set acting like a big star
who had just gotten the part. They told her she came on
showing that she was a little confused (Femme Fatales
& Glamour Girls).
The other two pilots were filmed at Bronson
Canyon, in Griffith Park (far north-west LA), possibly the
single most recognisable film location ever used. These
two episodes became Forbidden Cargo,
the first one aired, and Touch
of Death, the very last one screened (click on the links
to see the pages for those episodes). The production company
managed to successfully hide the stark and rugged granite scenery
of Bronson Canyon in these two episodes. When I watched
them again recently I was impressed
how little they resembled the familiar terrain I knew sowell
from The Lone Ranger and Bonanza. Abundant
set dressing with ferns and palms convincingly created the illusion
of tropical Africa (see photo below right of Irish and Christian
Drake amongst the more open terrain of Touch of Death).
All three pilot episodes also had the distinction
of using experienced and recognisable
Hollywood character actors (see
the individual pages for these episodes for more
details). With
the exception of the Bull
Kendall trilogy, three episodes
featuring Buddy Baer,
an an ex-heavyweight
boxing champion and experienced
character actor, none of the episodes shot in Mexico featured
American character actors of great note (see individual pages
for The Lash, Land
of the Rogue and The Rival
Queen). |
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Irish has said that the pilot episode
was filmed in colour , but was only ever screened in black and white. Black
and Feret, Irish's biographers, claim that the colour pilot was an hour
long episode. Irish once recounted that a man at a fan convention
approached her and said that he had a copy of the colour pilot and he gave
her his phone number. Unfortunately, Irish lost the slip of paper
with  the
man's details and she was unable to contact him (Black & Feret).
The story of the "hour long" colour pilot seems spurious
to me. The two episodes filmed at Bronson Canyon are totally unrelated,
use different guest stars and do not tie together cohesively. It is
equally difficult to imagine a complete half hour of lost footage for The
Renegades. I'm at a loss to explain the story of the fellow at
the fan convention. |
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| The pilots remained unsold for almost
a year. As described on Page 6: Promoting
the Product in the Audition section,
in early 1955 the Nassours took Irish to TV sales conventions in New York
and Washington where they were finally successful in selling the series
to ABC Film Syndication. Within a few months the cast and crew were
in Mexico. They were initially told it would be a 3 month shoot. Little
did they know that it would take seven-and-a-half gruelling months to capture
the other twenty-three episodes on film. |
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OTHER SHEENA PAGES
Please don't forget to visit my pages devoted to the twenty-six episodes
of Sheena Queen of the Jungle, if you
haven't done so already. You will find plot summaries, numerous comments
about the individual episodes and video captures from all of the surviving
episodes. There are also large-sized copies of a many of the photos
used on these pages available to download on the Sheena
Gallery page. |
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SOURCES
The TV Collector magazine,
Jan/Feb 97
Femme Fatales magazine, Jan 99
Glamour Girls: Then and Now magazine, Editor Steve Sullivan.
Premiere issue Mar/Apr 94
TV's Original Sheena - Irish McCalla by Bill Black and Bill
Feret, Paragon Publications 1992
PHOTOS
The vidcaps from the three pilot episodes
- (top to bottom) The Renegades, Forbidden Cargo, and Touch of
Death - were taken frm my DVD-Rs of this series
The vidcaps from The Renegades (left)
and Touch of Death (right) illustrating the differences in terrain
were taken form my DVD-Rs of this series
LYNX
Read about all of the films that
used The
Arboretum as a shooting location at The Arboretum's website
Read the DVD Savant's article on Bronson
Canyon |
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SHEENA
© is the property of Sony Pictures Corporation
This independent, fan-based analysis of the Sheena material is copyright
© 2006-2007 Paul Wickham
This page updated May 2007
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